It is no longer spoken that the Kızılcık Şerbeti (Cranberry Sherbet) series broadcast on Show TV will reveal the social differences expressed at first and proceed through a unifying story order. The story that started when a young woman who grew up in a secular family married into a conservative family, moved on to a completely different point.
The main theme of the series is no longer about how conservative and secular families actually have in common with each other.
The Kızılcık Şerbeti series created a new foundation for itself through relationships, as the Turkish audience desired. The conflicts of the nature and Fatih relationship and the changes in their state of being broken, reminded many people on the screen that they lived in their own lives.
The course of Ömer and Kıvılcım’s relationship and their desire to hold on to a new life together by overcoming the reflections of their old relationships excited the audience. Their desire to hold on to a brand new life enabled middle-aged people who have experienced similar situations to find themselves in the series.
In addition, the emotional and vital turmoil that fell into a young girl who grew up in a conservative family like Nursema, whose feelings and thoughts her family did not care much about, deeply affected the audience.
Despite her desire to build a life with her beloved Umut, she is stuck between the obligation to live the life her family has set for her.
At this point, Nursema found next to her, perhaps, her fellow nature, whom she was not very happy about entering the family at first. Together with a woman’s solidarity, the Kızılcık Şerbeti series shows that women’s solidarity is always possible and creates a strong synergy, even if they display different beliefs and in different cultures.
In the Kızılcık Şerbeti series, the story set aside the social differences of the story and shifted to the basis of relationships, allowing the audience to find themselves on the screen. We see that these scenario steps are reflected very positively on the ratings of the series.
Maybe the series did not follow the way it started and found a starting point on the basis of relations, but considering that this situation brings a continuous increase in the ratings, it also reveals that the production team is successful.
Kızılcık Şerbeti, the 17th episode of which was broadcast last Friday, ranked third in the all-person category, second in the AB and second in ABC1.
At this time, when the ratings were at the highest level, it seems that the screenwriters’ creation of the story very strongly paid off.
It was also very meaningful that this rating debut was developing in a day where it was competing with the most successful series of the season like Yalı Çapkını (Golden Boy), and that the Ateş Kuşları (Firebirds) series on ATV was also developing in an environment where it found strong support.