Series News There is an unwanted character for Aşk Mantık İntikam series fans!

There is an unwanted character for Aşk Mantık İntikam series fans!

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Aşk Mantık İntikam, which was broadcast on Fox TV screens, started as a romantic comedy production, but later turned into a drama. The persistent attitudes of the screenwriters of the series make the audience revolt. This attitude is based on the constant highlighting of the character of Çağla and the constant troubles of Esra and Ozan.

The audience criticized the scene about Ozan’s request for a DNA test and paternity control burn in the last pregnancy issue. Because the screenwriters fell into a stereotypical situation again and played a trick in the DNA test. This image angered the audience, because the character of Çağla always wins.

The fact that Çağla, successfully played by Melisa Döngel, is so dominant in the story, increases the reaction of the audience. Fans of the series make comments on social media that they even want the character of Çağla to be removed from the story.

In the social media, where criticisms of Melisa Döngel’s acting are shared from time to time, Aşk Mantık İntikam fans think that the falling ratings are also realistic.

As the character of Çağla comes to the fore in the story, objections and reactions increase, and the ratings decrease regularly.

There is an unwanted character for Aşk Mantık İntikam series fans! 7

With its above-average ratings, Aşk Mantık İntikam is one of Fox TV’s best-running productions. However, the screenwriters’ ignoring the audience’s sensitivity to the character of Çağla may bring more losses in the series.

A number of fans of the TV series commented, “These scenes are all for nothing. Çağla is always a winner. All her crimes are covered up, she. Bravo to you.”

You can also find harsher criticisms of Çağla’s character on social media, but we did not want to include them here.

It may be the right logic that the story is at a conflicting point, but the fact that it is not used in a balanced way due to the reactions towards Çağla points to another screenwriter’s problem.

Perhaps the audience’s criticisms can be alleviated when the screenwriters put an end to Çağla’s appearance as a woman who can beat anyone in the series Aşk Mantık İntikam and show that she too lost.