The success of the Yalı Çapkını (Golden Boy) series, which was broadcast on Star TV on Friday evenings, was a great surprise for everyone.
However, the objections of the audience about the scenario and the progression of the story began to increase rapidly.
Tens of thousands of fans of the series, who wanted to attract the attention of the scriptwriters, started a campaign on the label of “Come to Yourself, Yalı Çapkını”.
While this campaign had great repercussions on social media, many people tried to reach the screenwriters with comments expressing their own opinions.
Those who were not satisfied with the course of the story expressed their discomfort about various issues, saying, “We don’t want to watch this bullshit.”
Apart from those who want to watch the details of the ordeal of Esme’s character, there are also criticisms that Menderes Samancılar, who received great acclaim as Necip Usta, left the story early.
Another series fan criticized that none of these characters were written strongly in the story, which has too many characters.
The viewers, who criticize that some of the characters are almost like extras, also criticize them by saying, “The screenwriter is only busy writing Pelin by emulating.”
Many viewers have strong objections to the character of Pelin, played by Buçe Buse Kahraman in the series. A number of fans of the TV series commented: “You think the lead role is Pelin. They write SeyFer, who trusts the rating and constantly fights, and Ferit, who runs after Pelin. Why is Ferit running after Pelin? What nonsense is this, the drama goes over the mistress.”
There are also objections that the series harms the moral sense of the society, and there are criticisms that the harmony of Afra Saraçoğlu and Mert Ramazan Demir, who take the lead roles, is not used well enough.
It draws attention to the criticism that the screenwriters rely too much on the ratings, weakening the power of the story in the Yalı Çapkını series. At this point, there is a great loss of image in the name of the series, and the screenwriters should seriously consider the criticisms of the story and not rely too much on the high ratings.
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