The famous actor Burak Sevinç, who played a guest role in Kırmızı Oda series, which was broadcast on TV8, completed the shooting of the Hacı Bayram Veli Aşkın Yolculuğu series, which was shot for TRT.
After the beloved production of TRT, Yunus Emre Aşkın Yolculuğu, the second series of the series, in which the life of Hacı Bayram Veli is told, was shot on a special set in Istanbul Kartal, produced by Tekden Film.
In the 26-episode series, in which Burak Sevinç plays the leading role as Hacı Bayram Veli, the adventure of Numan, who is a mullah in Ankara Black Madrasa, crossing paths with Somuncu Baba, meeting with Sufism and completing his spiritual progress, is told.
The series, which was completed in 5 months, is also the first period series of the famous actor. Burak Sevinç appears before the audience with a very different image in the series.
After the completion of the shooting of the series, the actor also thanked his teammates with the sharing he shared on his Instagram account.
Burak Sevinç feels very lucky to have brought the character of poet and sufi Hacı Bayram Veli to life. The actor, who played the famous poet born in 1352, made a new image for his role and had such a long beard for the first time.
The actor, who said, “I have grown my beard this long for the first time,” surprised his fans with his long beard and mustache. Burak Sevinç said that when the character gets older in the series, his image will also change a lot with make-up.
Explaining that there was a different process for him and that it was very interesting, the actor said, “It is a project that I want to experience. There are no swords and shields in this business. This job is different. The spiritual side is very heavy. It’s a very challenging job for an actor mentally. Obviously I’m having a hard time. But as an actor, I am very happy.”
Explaining that he started living the period described in the story after wearing the costumes, the actor said, “Interestingly, I did not study acting. I’m trying to get into character with more of my feelings. The costume helps a lot. The plateau is so beautifully done, it really reflects that era. I try to enter the scene automatically,” he said.