Laçin Ceylan was born on 25 November 1965 in Izmir. Turkish TV series, cinema, theater actress and acting instructor.
Name: Laçin Ceylan
Date of Birth: November 25, 1965
Place of Birth: İzmir
Height: 1.60 m.
Weight: 57 kg
Horoscope: Sagittarius
Eye color brown
Instagram: https://www.instagram.com/lacinceylan/
Education life: After graduating from Izmir Turkish College, she graduated from Hacettepe University, Ankara State Conservatory Theater Department in 1989. Between 1991-1993, she completed her master’s degree at the same university by presenting her thesis titled “Diction in line with rational and physical effects”. She was the assistant of Cüneyt Gökçer. Between 1993-1998, she took acting and vocal training lessons at Ankara State Conservatory. Between 1989-1991, she played a role in Diyarbakır State Theater. Later, she started to work in Ankara State Theater in 1992.
First step into acting: She started her television adventure with the character “Yasemin”, which she played in the series “Karanlıkta Koşanlar” in 2001.
With which project did she shine? She drew attention with the character “Sevim”, which he portrayed in the “Past Times” series.
Personality traits: Hardworking, determined, natural, sincere, disciplined. “I’m not a tough one, but I’m nervous during work. I can be called a nervous person, as I try to make use of time very, very well. I do not like approaches to lies. I also take this mercilessly into consideration. I do not like anyone who does not know their responsibilities and does not take proper responsibilities. I do not want to be with such people in any area related to my work. ”
Mindset: She believes in conscience and love that are not cowardly in all kinds of relationships. She is trying to learn and develop in this regard. “Listening and being for the other are two of the foundations of acting. Also, I always carry an Indian proverb in my back pocket: “Walk with his shoes for forty years to understand a person”. After all, as Laçin, I am a novel, a story in itself. So is the person sitting in front of me. He came from the circumstances that made him and he has a problem, he has a say. If my friends have chosen me for their troubles, I know that it is very precious and there is something I can do. I really store it like a spoonbill with care and attention.
What kind of person is she on set? Among the TV projects she takes part in, she always keeps the “Past Times” series in a different place. “Past Times,” was shot with a different spiritual integrity rather than a drama. Everything spoken on set and between the creative team; it was about being able to convey the events of that period, to revive them and to do the best I could. Rating games were not even thought of. In addition, people came together in the staff with an increasing temperature day by day. As I think of the people who are still playing my family, something gets in my throat. We loved each other so much, we really laughed together and really cried together. Set conditions were very difficult from time to time. We were taking our strength to endure both from the subject we were in and from our deep belief in our co-star next to us. When I finished the series, I realized that I had worked on a bond of love so deeply. My last shot was in that derelict and ruined place in Beykoz, where my newspaper was shot. The last frame was taken and finished and I cried sobbingly. As if I really quit my newspaper. Leaving an era behind and leaving a dormitory to which I was devoted to my heart, I left the set. ”
A source of happiness: The ‘Bititheater’ that he founded in 2006 is one of the greatest sources of happiness. “In our profession, sentences such as” if we do a theater “,” we build a theater “or” we could not do a theater “are made. We wanted it to be a name full of humor, assertive but unpretentious. You will neither emphasize one nor the theater. The establishment phase was not easy. It also coincided with Beyoğlu’s change of identity. But we stubbornly continued. We took a carpentry shop, repaired it in its original form and turned it into a theater. I had not repaired my own house, I had a theater. My friends also helped to give an idea. We started like a workshop, then we started playing games. His audience was formed over time. Bitheater has become my second school. We did very good work. We did international work, there was intercultural exchange. It also hosted other theaters. The Bitheater became somewhat of a cultural meeting point. Book launches and concerts took place. The venue itself has told us that it can do many things.
First motion picture: Bilge Olgaç / Laçin Çeylan
Her view of life: She thinks life is too short to be professional. “New people, surprises, evils, beauties that we have never designed… In life, you have to take a new stance, attitude or energy against all these. This brings new learning. Perhaps his magic; excitement. Despite the uniformity that life brings, there are many worlds that are not at all the same. Despite all your difficulties, you continue to get into it, because we live in a country where criteria and values cannot be established. We try to stand upright with extremely slippery sand. ”
Her view of business life: She acts with a tremendous desire to live other lives, to understand, to make the world more endurable and to share all his comprehension. “I take the stage because I have stopped at the tip of my tongue. Acting is a long process, but now nobody wants a long training. Everyone is after him, how can he get a shortcut! We want to study acting like buying clothes. Not everyone can do this job, but if they persist and persist, they can get an idea and ability to do it in a minimum scale. But becoming a player is not just a sequence of actions to be taken. Acting is actually the inner energy and the use of this inner energy under the control of the player. On top of that is the potential to manifest itself. First of all, acting is a need. ”
Perspective on player coaching: She coached many young players, including Kıvanç Tatlıtuğ and Sarp Levendoğlu. “Some production companies looking for actor coaching think that person will become an actor in three to four lessons, there is a problem here. This is the “Let everything be shortcut” situation brought about by the age. I would very much like this perception to change because acting is a very challenging job where you have to play with your nerves and show extra energy. It is a long process, but now nobody wants a long education. Everyone is after him, how can he get a shortcut! We are in a very corner-wise, very prepared situation. Frankly, I have seen the same thing over time, whoever I expect from among the young players I have coached until today. In fact, all students need to understand that this is a business of culture. The more you develop yourself culturally and intellectually, this will also reflect on your acting art. But they also need to understand that developing acting is not just going to pilates and memorizing scenes. Unless this point of view is formed, what starts very well cannot move forward later, and it stagnates. Or vice versa. First of all, I consider it lucky if they quickly moved to acting positions. But a good luck is just a good luck. It does not mean that that position will be offered to you for life if you do not feed it. I respect those who make a constant effort to learn, to enrich the chance they have gotten by working. But I watch with horror those who take the opposite approach and say that somehow we caught this position, this fame, this fame. After a while, counting and decline begins. I feel more sorry for them. Insulting, belittling is never in my character. But I feel sorry and anxious for them. First of all, I give the following speech to our students who come to Bit Tiyatro; ‘We are training theater actors here. If you want to work on this, come ahead, we can never have a series of promises. “We are working with those who accept this.”
Career plan: She did not get any support from anyone except her immediate surroundings while establishing Bit Tiyatro. She also scrutinizes and scrutinizes the projects to be featured on TV. “I have never received any support other than my own mind, creativity and the extraordinary help, effort and creativity of my friends. Our country does not have a cultural policy. What is claimed to be has nothing to do with art. Full of prohibitions, intimidation, threats to leave it alone. Therefore, I do not get any support from anyone other than my audience, my close circle and myself. Ever since RTÜK has been involved so intensely, since I realized that being overly selective means not working at all, I have put forward other criteria in the selection of the project, such as loving the character. You can’t give anything nice if you don’t like the character and don’t believe you will play it. I also look at the team. I am looking to see if he has given very wrong things politically. ”
Career plan: She did not get any support from anyone except her immediate surroundings while establishing Bit Tiyatro. She also scrutinizes and scrutinizes the projects to be featured on TV. “I have never received any support other than my own mind, creativity and the extraordinary help, effort and creativity of my friends. Our country does not have a cultural policy. What is claimed to be has nothing to do with art. Full of prohibitions, intimidation, threats to leave it alone. Therefore, I do not get any support from anyone other than my audience, my close circle and myself. Ever since RTÜK has been involved so intensely, since I realized that being overly selective means not working at all, I have put forward other criteria in the selection of the project, such as loving the character. You can’t give anything nice if you don’t like the character and don’t believe you will play it. I also look at the team. I am looking to see if he has given very wrong things politically. ”
Dream of the Future: There are many theater plays and movies in her dreams. “My dreams are to create everything I have accumulated in my soul either in theater or in the cinema. There is a space for young players. It is possible to create a theater where thought circulates freely. Actually, you want to say many things in life at once. So maybe we are engaging in a lot of games and projects. Because we want to say, there is not a single thing! Life has many choices. But I can say for myself; I am where I want to be. Our country may be cold sometimes, it may not give value to its people or not return it, but I love to fight in this country no matter what. We have tremendous colors. Accepting our multiculturalism and putting aside deep nationalism; If this people, who once prided themselves on being from Anatolia, remember this again, no one can stand in front of us. I think these feelings and thoughts will rise again. I think the main issue is; It’s not about what we say, it’s about what we do. We give tremendous speeches, but few give life. ”
Concerns: Desires to live in a country where thought is free. “Freedom is thought first for me. It starts in thought. I want to imagine that thought can be expressed freely, and I want to live. Thought is not free in this country as long as I have known myself. People should be able to comfortably live and express lives that reflect their thoughts and perspectives. This must be the honor of being human. Animals can do that, for example. ”
How is she with social media? She’s a good social media user. “I try to highlight love and conscience in my posts. Even if you are criticizing someone, you will get criticism from conscience and love. My mother says “they won’t understand this”. I have never seen a bigger censorship practitioner than my mother. “These are ruthless and loveless people, they will not think you share this with conscience lovingly,” he says. ”
TV SERIES
2019 – Love Makes You Cry / Sumru
2018 – Tragedy / Hülya Gökdemir
2017 – Aşk ve Gurur
2015 – Butterflies / Selda Mazharoğlu
2013/2014 – I Still Have Hope / Asude
2013- Galip Derviş / Latife Merdan
2011 – Her Şeye Rağmen / Asuman Kılıçer
2011 – Moon Struck/ Leyla
2009 – İstanbul Çocukları / Hüner
2006/2008 – Past Times / Sevim
2005/2006 – Gümüş / Gülsün
2004 – Gece Yürüyüşü/ Tülin
2001- Karanlıkla Koşanlar / Yasemin
CINEMA FILMS
2019- Lady Winsley/ Maid
2018- Her Şey Seninle Güzel / Meltem
2017 – Cingöz Recai : Bir Efsanenin Dönüşü
2015 – Delibal/ Macide
2012 – Gözetleme Kulesi / Mother
2010 – Saklı Hayatlar / Zeynep
2009 – Kampüste Çıplak Ayaklar/ Lale
2009 – 11’e 10 Kala / Feride
2007 – Doğunun Hatırladıkları / Anne-Marie Schimmel
1998- Kaçıklık Diploması
1992- Kurşun Adres Sormaz
THEATRE GAMES
2020- Garsonların Birliği / Art Director
2019- Çıplak Vatandaşlar / Director
2018- Bir Peri Masalı Radyum Kızları / Director
2018- Ariane’la Mavi Sakal / Director
2017- Hiç Mi Bir Şeyim Yok / Director
2015- Vurgun – Üç Oyun / Player
2015- Timsahlar / Director Assistant
2014- Düğün (Sandık Lekesi) / Mother
2014- Kırmızı Siyah ve Cahil / Player
2012- Küçük Prens / Player
2012- Yeni Kiracı / Director
2011- Cam / Director
2011- Klakson Borazan Bırtlar : Dario Fo – Trabzon Devlet Tiyatrosu – 2/ Director
2009- Gizler Çarşısı – Turgay Nar – Ankara Devlet Tiyatrosu /Director
2008- Delil Yetersizliği : G.G Del Tore – İzmir Devlet Tiyatrosu /Director
2006- Etna – Bedendeki Kuyu / Sophie
2003- Hortlaklar : Plautus – Diyarbakır Devlet Tiyatrosu / Director
1994- İyi (Good) : Cecil Philip Taylor / Ankara Devlet Tiyatrosu
1994- Balon : Murat Karahüseyinoğlu / Ankara Devlet Tiyatrosu
1994- Hizmetçiler : Jean Genet / Ankara Devlet Tiyatrosu
1993- Uyarca / Director Assistant
1992- Ferhat İle Şirin : Nâzım Hikmet / Ankara Devlet Tiyatrosu
1991- Hayvan Çiftliği : George Orwell\Peter Hall / Ankara Devlet Tiyatrosu
1990- Ah Şu Gençler : Turgut Özakman / Diyarbakır Devlet Tiyatrosu
1989- Yunus Emre (oyun) : Recep Biginer / Diyarbakır Devlet Tiyatrosu
1989- Pollyanna : Elanor H Porter / Diyarbakır Devlet Tiyatrosu
1984- Kuşlar İzmir Üstüne Uçar : Mehmet Büyükağaoğlu/ İzmir Devlet Tiyatrosu
1989- Yunus Emre / Köle Yusuf
AWARDS
2007 – 12th Sadri Alışık Theater and Cinema Actors Awards / The Most Successful Actress of the Year / Etna: Bedendeki Kuyu
2007 – VIII. Lions Theater Awards / Best Actress / Etna: Bedendeki Kuyu
2012 – Adana 19th Golden Boll Film Festival / Best Supporting Actress Award / Gözetleme Kulesi
2016- Theater Critics Association Awards (TEB) / Actress of the Year / Üç Oyun (Vurgun) / Bittheater