Series News Eda Ece saved the Forbidden Apple series

Eda Ece saved the Forbidden Apple series

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Eda Ece, with the statements she made in her chat on Instagram, informed some of the developments in the background of the Forbidden Apple series. How was the Yıldız character so much loved? It turned out that the importance of Eda Ece’s improvisation performance while portraying this character was discovered a little late.

The Forbidden Apple series did not perform very well or badly in its first 2 seasons. As of the third season, the series had expectations that it would fall and be taken down. However, the person who prevented this situation was Eda Ece. We witnessed that the famous actress carried the series much higher than in the third season.

Eda Ece became the architect of this success with her improvised performance. It was also revealed that the improvised scenes of Eda Ece were first shot during the fiction. Eda Ece said, “We have more scenes that you have not watched in the fiction.”

Eda Ece was very insistent on improvisation. The actress continued to see her friends on the set laugh at the improvised scenes. Over time, the look and words of Eda Ece have influenced other people from the screenwriter to the fiction of the series.

Eda Ece thinks that the series returned from drama to comedy thanks to improvised scenes and this continues to keep the audience on the screen. It is also known that if the Yıldız character is constantly depressed and experiencing drama, the series will not hold so much.

Eda Ece saved the Forbidden Apple series 7

Answering the question of why the Yıldız character is so popular, Eda Ece explained what happened in the set with the following words:

“It was my idea to evolve Yıldız in that way. I felt like I was on the set. A waitress was married to a holding owner. She was constantly mocked in that environment. After a while either she had to walk away or she had no clever answer. I thought we could make fun of it by taunting, otherwise he could cry, fall down.

I improvised the lines, as if lying on a little bit of crock, happily on the top, I bought it from a place like that. When I felt that my friends were laughing on the set, I started to do it more. I started kneading Yıldız by looking at the lines and adding additions to whatever the situation required. It worked very well, and it suited. It gave people the pleasure of watching. They got into the Yıldız character and started having fun.

It was a power of improvisation. Then our editor, screenwriter, producer also loved it. They started to turn more suitable for me in their pens. I was making jokes when the written scenes were over, then they cut them in fiction. So I had more jokes that you didn’t watch. Then our editor started using these scenes.

Began going viral on social media. It was completely out of our hands. It was better when the sharing started. The Yıldız became a well-known character outside the series. They liked that energy. It has parties from Eda, because it uses my dictionary. It was very nice. It suits Yıldız. We forced the series to comedy. “